Modal and tonal organisation in polyphonic compositions from the late Middle Ages to the Early Baroque.
Enregistré dans:
| Publié dans: | Musurgia (Paris) n° 2 |
|---|---|
| Support: | Article de revue |
| Langue: | Français Anglais |
| Publié: |
Paris :
Éditions Eska,
2019.
|
| Sujets: | |
| Autres localisations: | Voir dans le Sudoc |
| Lien: | Dans:
Musurgia (Paris) |
Table des matières:
- P.03
- Éditorial
- P.11
- Aspects of Modality in Renaissance Polyphony / Micolas Meeùs
- P.29
- Diatonic and Tonal Functions in the Polyphonic Virelai of the 14th Century / Christophe Guillotel-Nothmann
- P.71
- Candential and Modal Treatment in Palestrina's Delle Madrigali Spirituali a Cinque Voci Libro Secondo (1594) and Lasso's Lagrime di San Pietro (1595) / Anne-Emmanuelle Ceulemans
- P.94
- Is Modality still a Compositional Tool in Monteverdi's 1610 Mass ? / Marco Mangani