No innocent bystanders : performance art and audience
Enregistré dans:
| Auteur principal: | |
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| Support: | Livre |
| Langue: | Anglais |
| Publié: |
New Hampshire :
Dartmouth College Press.
C 2012.
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| Collection: | Interfaces, studies in visual culture
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| Sujets: | |
| Autres localisations: | Voir dans le Sudoc |
| Résumé: | "At a moment when performance art and performance generally are at the center of the international art world, Frazer Ward offers us insightful readings of major performance pieces by the likes of Acconci, Burden, Abramovi , and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. Ward contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like public and community"" - [Source : 4ème de couverture] |
| Résumé: | "At a moment when performance art and performance generally are at the center of the international art world, Frazer Ward offers us insightful readings of major performance pieces by the likes of Acconci, Burden, Abramovi , and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. Ward contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like public and community"" - [Source : 4ème de couverture] |
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| Description matérielle: | 1 vol. (205 p.) : ill. ; 24 cm. |
| Bibliographie: | Références bibliogr. p. 183-193. Index. |
| ISBN: | 9781611683349 1611683343 9781611683356 1611683351 9781611683363 161168336X |